Abrasive blasting is a cost-effective surface finishing technique widely used in manufacturing processes. It involves propelling various types of media,such as sand, glass beads, aluminum oxide, or steel shot/ grit , to smooth, clean, or finish the surfaces of 3D printed or custom machined parts.
This article focuses on one of the most common media blasting methods — bead blasting. You’ll learn what bead blasting is, how it works, its pros and cons, practical tips, and more.
Bead blasting is a process in which small spherical abrasives—most commonly glass or ceramic beads—are propelled at high pressure against a surface. Unlike more aggressive abrasiveblasting methods, which use jagged or angular media that rapidly remove thick layers of paint or rust and leave a rough finish, bead blasting usually produces a smooth, uniform, satinmatte appearance with minimal material removal or surface damage.
Bead blasting works similarly to other abrasive blasting techniques. Here’s how Chiggo bead blasts your custom parts:
To achieve the best results, it's crucial to use the most effective tooling. Now, let's take a look at the tools you’ll need to achieve topquality outcomes.
Bead blasting media is the core of the process, and glass beads are the most common type. Made from leadfree sodalime glass, they are chemically inert and contain no free silica, making them environmentally friendly and safe to use. When used appropriately, these beads can be reused up to 20–30 times. Because they leave no discoloration on impact, glass beads help maintain the material’s base color. Moreover, they are available in various mesh sizes, with #40–60, #60–100, #100–170, and #170–325 being the most common.
With their gentle, controllable impact, glass beads are ideal for light surface cleaning , semipolishing, and even light shotpeening to introduce compressive stresses. However, they’re not well suited to extremely tough materials and are less effective at etching a surface for paint preparation or handling heavy paint and rust removal.
Steel shot is another common blasting media, typically made from highcarbon or alloy steel. It’s available in hardness ranges from 40 HRC up to 62 HRC, making it highly durable and reusable for hundreds to thousands of cycles. Particle sizes commonly range from #16 to #80 mesh.
Best suited for heavyduty applications, steel shot is most often used to rapidly remove rust, scale, and old coatings from industrial parts such as steel and cast iron, and to deburr and profile surfaces. When used for shot peening, it can induce compressive stresses in metal surfaces—stressrelieving and hardening them to help prevent metal fatigue.
Ceramic beads are typically made from aluminum oxide (Al₂O₃), zirconium oxide (ZrO₂), or a sintered composite of both. They are chemically inert and resist chemical attack. Their hardness lies between that of glass beads and steel shot, and they can be reused for 50–150 cycles. With excellent sphericity, they are suited for applications requiring tightly controlled surface finishes.
There are multiple types of plastic blasting media, including acrylic, nylon, and polyester. They are much gentler than most other abrasives, highly reusable, and lightweight. This makes them a good choice for surface cleaning, deburring, and pretreatment of soft, brittle materials, delicate parts — without scratching or deforming the substrate.
A bead blasting cabinet is where the blasting process takes place(For large or highvolume parts, this often happens in a dedicated blast room).
When choosing equipment, select a highquality cabinet that delivers consistent blast results and guarantees operator safety. A good bead blasting cabinet should include the following key features:
For a bead blasting cabinet, sturdy construction is key. Heavy-gauge steel is a great choice because it is durable and maintains its strength even under intense blasting pressure over time. Equally important is a solid support structure—whether legs or a frame—that carries the weight of the cabinet, media, and workpieces while damping the vibration generated during blasting. Insufficient support can lead to wobbling, increased wear, and safety hazards.
A well-designed cabinet must have an airtight seal that prevents dust, debris, and abrasive media from escaping, thereby protecting the operator and the surrounding workspace. It should also include a robust dustcollection and extraction system to remove airborne particles quickly, keep the viewing window clear, and incorporate safety interlocks that disable blasting whenever the door is opened.
A clear, sizable, and durable viewing window is indispensable for real-time monitoring of the blasting process. However, it is prone to fogging, scratching, or pitting over time. To overcome this, replaceable protective films should be used to preserve clarity. Proper lighting inside the cabinet is also important. The lighting should be bright enough to highlight every detail of the workpiece, yet strategically positioned to avoid glare and shadows.
Blasting gloves are typically integrated into the cabinet. They protect your hands from abrasions caused by highspeed abrasive media and sharp edges during the blasting process. They also dampen the vibrations generated by blasting, reducing hand fatigue over prolonged use. Additionally, their textured design offers a strong grip, enhancing both control and precision.
The bead blaster gun is another crucial component, much like a paintbrush is essential for a painter. Depending on the application, you can choose from several types: pressureblast guns for high efficiency and deep cleaning, or suction/gravityfeed guns for lighter, more precise work.
No matter which type you choose, durability, operator comfort, and safety remain essential requirements. Beadblasting guns are also classified by operation mode into handoperated and footoperated models. Hand-operated guns are invaluable for precision work, while foot-operated guns are better suited for tasks that require prolonged operation or the use of both hands to manipulate the workpiece.
Despite its usefulness and versatility, bead blasting has a few drawbacks. Next, let’s summarize the advantages and disadvantages of using it for your project:
To achieve your desired surface finish, here are some practical tips to consider:
Any dirt or coating left on the surface will interfere with the blasting media and lead to an uneven finish. For example, residual oils or grease cause the media to stick, creating blotches or preventing the abrasive from reaching some areas. Similarly, scrub or blow off loose debris so it doesn’t get embedded in the substrate during blasting.
Bead blasting—especially with fine media like glass beads—is not effective at cutting through heavy rust, mill scale, or thick paint. If the part shows heavy corrosion or a tough coating, remove it first using a more aggressive method or media (e.g., aluminumoxide grit, garnet, or a sandpaper step) before bead blasting.
Regardless of how fine the bead‑blasting media may be, the process inevitably introduces tiny surface irregularities that impact the final roughness. Achieving very tight surface roughness requirements can be challenging in practice. For most applications, it is recommended to specify a surface roughness no lower than 32 µin Ra.
Mask any areas that should not be exposed to the abrasive. This includes threaded holes or shafts, bearing surfaces, polished or hightolerance surfaces, seal areas, and more. Use suitable masking materials—common choices include highstrength tapes (e.g., duct tape, Gorilla® tape), rubber or silicone plugs for holes, screwon caps for threads, or purposemade blastmasking films. Make sure the mask can withstand blast impact: thick rubber or vinyl tapes hold up well, while thin paintmasking tape may tear under heavy blasting.
For delicate or precision surfaces, start with a gentle adhesive layer (such as blue painter’s tape), then apply a stronger tape over it. That way, when you remove the outer tape, it peels off cleanly without leaving residue or lifting the underlying surface.
Harder metals or heavyduty cleaning require higher pressure, while softer materials or fine finishing need lower pressure. For example, delicate aluminum or plastic parts can be blasted at 30–40 PSI, whereas removing mill scale from steel may require 80+ PSI. Always err on the side of the lowest pressure that still gets the job done effectively.
In practice, beadblast processes typically run between 30 and 100 PSI (2–7 bar) depending on the application. Fine glassbead finishing is often done at 40–60 PSI to achieve a gentle satinmatte finish. As a guideline, 50 PSI is a good starting point for glassbead blasting to get a clean polish without shattering the beads. Higher pressures (80–100 PSI) are used for more aggressive blasting with tougher media or for stripping coatings. When in doubt, start low and gradually increase the pressure until you achieve the desired finish.
Keep the nozzle at a consistent standoff distance—typically 6 to 12 inches (15–30 cm). Holding the nozzle too close concentrates the blast on a small area and can dig in or over-peen the surface; too far away and the media loses effectiveness, giving a lighter finish.
The nozzle angle relative to the surface should also remain constant. Variations in angle can produce differences in roughness or brightness. For most high-quality finishes, a near-perpendicular (90°) angle is recommended.
In a recyclable system, periodically sift the media to remove dust and broken particles—many cabinets even include a builtin cyclone separator for this. Fine dust not only reduces blasting effectiveness but also can redeposit on the workpiece. Keeping the media clean ensures every abrasive particle does useful work.
When the abrasive media breaks down past a certain point, replace or refresh it with new or filtered media to maintain finish quality and processing speed.
The choice of media is critical for achieving your desired finish. The blasting media selection chart below is provided as a general guide to help you choose the most suitable type for your project. However, Factors such as blast pressure, workpiece hardness, media shape, and the operator's technique can affect media performance beyond what the chart indicates.
Characteristic / Media | Glass Bead | Steel Shot | Ceramic Shot | Aluminum Oxide | Plastic Media | Garnet |
Cleaning / Removal | ✔️ | ✔️ | ✔️ | ✔️ | ✔️ | ✔️ |
Peening | ✔️ | ✔️ | ✔️ | -- | ✔️(Light) | -- |
Surface Etching | -- | -- | -- | ✔️ | -- | ✔️ |
Recyclability / Media Life | Medium (20–30 cycles) | Very High (>500 cycles) | High (>150 cycles) | Med-High (50-100 cycles) | Medium (20-40 cycles) | Med–High (50–80 cycles) |
Probability of Material Removal | Very Low | High | Med-High | Medium | Very Low | Medium |
Mohs' Hardness | 5.5 | 6-7 | 7 | 9 | 2-3 | 7-8 |
Typical Blast Pressure (PSI) | 20-55 | 20-90 | 20-90 | 20-90 | 20-60 | 30-80 |
Media Shape | ⬤ | ⬤ | ⬤ | ▲ | ▲ | ▲ |
✔️= Suitable ;⬤ = Spherical ;▲ = Angular |
Bead blasting is a versatile surface finishing technique that works well on various materials and supports a wide range of manufacturing processes. It's cost-effective , eco-friendly and ideal for achieving semi-polished, satin-like finishes on your parts.
At Chiggo, we offer comprehensive surface finishing services to enhance your product’s quality and appearance at competitive prices. Contact us today for expert advice or a quote,and let’s make your next project a success!
What is the difference between bead blasting and sandblasting?
Sandblasting and bead blasting are both abrasive blasting techniques. The choice between them depends on the material and the desired effect. Key differences between them are:
Is glass bead blasting safe?
Glass bead blasting is generally considered safe, particularly when compared to abrasive blasting techniques that use silica sand—which can generate hazardous dust and lead to serious health issues. However, while glass bead blasting is a safer alternative, it still requires proper safety measures such as the use of personal protective equipment (PPE) and adequate ventilation to ensure operator protection.
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